Thursday, January 14, 2010
The latest Eddies project begins with the snarly, guitar driven 'It all Depends'. It is reminiscient of DANIEL AMOS' Kalhoun-era material. The subject of the song is perspective, as evidenced by this lyric: "Well they took away dear Jesus and they hung Him on a cross/Some say He won in the end/And some say He lost." This is followed by the title track, which is a slow, alternative rock number, I take to be about conscience, and whether we heed or ignore it: "Ah, turn back baby, turn around/The bridge is out and you will surely drown."
It's hard to tell whether the next song, 'Madonna Inn', is supposed to be humorous, meant to stretch the boundaries of what is permissable in Christian music, or is merely a story song. You won't hear these lyrics on the Christian top twenty at any rate: "Baby, let's drive to madonna inn/I've saved up my dough/Just so you'd know/You're my lady madonna/I'm your holy joe/We'll do everything righteous that your mama calls sin/At madonna inn." To be fair, Taylor frames the story in the context of a honeymoon. 'My Cardboard Box' finds Taylor frisky again, this time as a homeless man: "Come home with me sweety/Cos I like you lots/My place gets a little cold/Might wanna double your socks/And I will warm you with my lovin'/As the temperature drops/We'll make it toasty as an oven/In my cardboard box."
If you've followed Terry Scott Taylor's music over the years, you know he writes a lot tongue-in-cheek, and can be quite entertaining. Such is the case with the quiet 'Snow in a Can': "Candles for romance/Canned music for mood/Sex in a pill, and tan in a tube/For winter a heater, for summer a fan/Instant coffee and cameras, sea-monkeys and tang/Is just some of the stuff which I think is grand."
The Swirling Eddies have cooked up a real treat here on The Midget, the Speck and the Molecule. Some listeners may be offended by mild cursing. 77%.
For more on the Eddies visit www.swirlingeddies.com or www.danielamos.com
Monday, January 11, 2010
The show got underway just after 7 pm, with a three piece worship band from the church (thelifecentre.ca). A young gal with a pink guitar was accompanied by a drummer and another guitarist. They led us in two loud worship numbers, the first of which was a Hillsong tune. There were about one hundred people in attendance, of all ages, which was nice to see.
John Schlitt came out around 7:15 wearing a black sportsjacket, a black t-shirt from 'Not of this World Clothing', and a pair of blue jeans. He definitely is looking older, and now wears glasses, but he looks in better shape than on the Farewell tour, trimmer and more muscular. He performed with tracks and guitarist David Teems, who would also be in his fifties I would guess, and may be working on a book on Schlitt's life.
Schlitt opened the night with the song 'Gravity' which speaks of God keeping us grounded despite all the different directions the world can pull us. The song also served to warm up his voice which he said had been tested on this Ontario tour which also included stops in Barrie, Bradford, and Burlington.
Next up, was 'God is too Big' from his second solo disc 'Unfit for Swine' from 1996, which was his foray into alternative rock. Schlitt told the story of how he had high hopes for the song at the time, but some radio programmers had complaints that it sounded like Schlitt was singing 'God is Stupid' and the song got pulled from rotation. It makes for a good story though. Schlitt had a boy around eight years old join him on stage to yell 'God is too Big' on the chorus. Quite a treat for the boy and his parents!
'Show me the Way' from his first solo disc 'Shake' from 1995, was next. It is an adult contemporary ballad with the same message as Amy Grant's 'Lead me On' or Smitty's 'Place in this World'. Two songs from 'The Grafting' cd, 2008, were next. The first was 'The Grafting', a song very close to Schlitt's heart, as he has five grandkids via adoption. He is so thankful the mothers did not choose abortion. The song also talks of how God grafts us into His family through the blood of Christ. 'Only Men', another ballad, speaks of the fact that there is only one true God to be worshipped. Schlitt said back in his early days with Petra he was in Europe and couldn't believe how Christians were made fun of over there. He said fast-forward to today and it's happening over here. He believes North America is the last bastion of Christian freedom. He said the Bible doesn't call Christians to be doormats. The way Schlitt reads the Bible, his Jesus didn't walk around in slippers and let people walk all over Him. Christians shouldn't be 'fluff and puff' people. Jesus got angry when people turned His Father's house into a marketplace! Schlitt also said he was not a big fan of President Obama's policies.
It was a real treat when for tracks six and seven Schlitt reached into the Petra catalogue and did 'Just Reach Out', and their signature song, 1990's 'Beyond Belief'. The crowd really came alive, including myself, during this one. A couple of times during the show, he pointed at me (we were in the third row), and I was apparently looking pretty excited, and wearing my 'I'm a Pethead' t-shirt. Schlitt stressed the importance of growing after we become Christians. We will never be perfect, but we should grow. Next up was the popular worship chorus 'Trading my Sorrows' from II Guys from Petra, which in my eyes was Petra's fourth worship project. Schlitt ended the night with 'Inside of You', which speaks of the wonders God can do in each of us. Schlitt encouraged those who did not have a personal relationship with Christ or had fallen away a bit, to talk to him afterwards or to to one of the pastors.
After the concert some of the people from the church laid hands on John and David, and a prayer was offered for their ministry. I should add that David was a great guitarist/sidekick. I was able to shake hands with John after the show and finally after all of these years got a picture with him thanks to my beautiful wife Lauretta!